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郭建婷

郭建婷 新生代

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门 No.26

防伪码67906

尺寸120.00*80.00CM

售价 ¥20000.00 理想价

原作者郭建婷

持有者 郭建婷

探底规则:每人每个自然天内只能探底三次,如若探底成功后不可再次探底。

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作品参数

尺寸:120.00*80.00CM

创作年份:2019

版式:横版

作品分类:油画->风景

是否裱框:无

用料:油画颜料

作品介绍

建婷的“三重门”

朱亚军  (美术史论家)

 

正如人们随时随地地可在未连接的事物之间架起一座桥梁一样,世上的人无时无刻不在门的里边和外边,通过门,人生的自我走向外界,又从外界走向自我。

—— 【德】格奥尔格.齐美尔

 

门在人类的文化中具有多种隐喻和象征的含义,尤其是在汉文化体系里,拥有更为丰富的意蕴。门的开和合,表明的是一种鲜明的态度:当门紧闭时,它设置了一个界限,传达的是强烈的防范意识,显示出对外界的封闭和排拒,同时还可能意味着对某种精神或信念的坚守;而当门打开时,则暗示着召唤和邀请,召唤登堂入室者勇敢的超越自身的局限而一窥堂奥,当然打开的门也可能潜藏着危险,稍有不慎就会陷入泥潭甚至跌入深渊而万劫不复。

 

随着近些年城市化进程的加快,带来了国家经济持续高速的增长,但是在繁荣表面下的重重危机也逐渐凸显出来。特别是过快的发展造成的时空叠加、错位对人产生的压迫和逼仄,加速了都市人的碎片化和无助感;而另一方面拜金主义、消费主义借助网络等发达的传播媒介实现了对整个社会的全面渗透,紧随欲望膨胀和满足其后的是道德的麻木和人情的冷漠。都市人就这样失去了精神家园,沦为游荡在钢筋水泥丛林中的幽灵,尽管他们也在孜孜寻找失去的家园,但苦于不得其门而入。作为一名女性艺术家,也作为一名敏感的观察者,建婷对于所处的这个时代的境况有着更为清醒的洞察。前几年她在北京创作的《瞳体》等系列作品反映了对这一境况的关注,回成都后的建婷继续深化前期的思考,在今年创作出以《门》为主题的系列作品,这批作品以“人与他者”、“人与自然”、“人与自我”依次递进展开,呈现出明晰的逻辑结构。

 

他者作为个人与社会建立联系的最小单位,是个人了解人性和认知社会最直接的途径,

也是个人是否对人性和社会建立起信任和信心的关键。《门No.4》中在半掩着门的屋内,可以看到一对情侣(夫妻)正相拥在一起,而匪夷所思的是两个人整个头部都裹着白布,在貌似亲密的关系下是让人顿觉寒意的疏离感。在《门No.1》中一名男子从空旷的远景向门走过来,男子面目不清,显然艺术家在这里是刻意保持这种审视的距离,隐含的是对男性世界的警觉和不信任。透过“人与他者”这重门,深刻揭示了当今社会个人被利益和欲望主导而丧失真情和良知的病象。对于人性的这种扭曲和迷失,艺术家在“人与自然”这重门里,给我们提供了解决的方案。在《门No.5、9、10、11、12、13》等作品中人消失了,展现在我们眼前的是逶迤的远山、茂密的森林、广袤无垠的天空和一望无际的大海,在这里,迷失了自性的都市人获得了疗救,回归到生命的本源。这重门也就是《道德经》所讲的“玄之又玄,众妙之门”,通过这重门,可以体证到无上的宇宙大道,这重门所要通达的也是已故美国神学家蒂里奇所说的生命的终极关切,即个人超越自身有限的存在而进入无限的境界。第三重门“人与自我”这里,艺术家想要给我们阐明的是接受了自然的淘洗和净化后,个人的生命具有了灵性,能够智慧的安顿自己的生命,恰当的调适各种关系。《门系列3》和《门系列16》两幅作品似乎呈现给我们的是艺术家对于身体和灵魂的态度,画中的裸体女子应该是一个人,前者躺在卧室的床上,透过虚掩的门背对着画面,“如其所是”的把美丽的身体呈现在观者面前,素雅的色调营造出静谧的氛围,没有丝毫的色欲。后者面带微笑站在门边,友善的面对画外的世界,没有警觉和疑虑,有的只是从容和接纳,这个美丽的生命尽管可能遭遇过伤害,但她还是坚定不移的选择继续去爱这个世界。

 

巴什拉在他的《空间的诗学》曾这样写道:“巴黎没有家宅。大城市的居民住在层层叠叠的盒子里。”紧接着提到:“没有家宅,人就成了流离失所的存在,家宅在自然的风暴和人生的风暴中保卫着人。它既是身体又是灵魂。”巴什拉这里的“家宅”显然指的不是实在的住房,而是指的形而上的精神家园。建婷带领观者跨过由她设置的“三重门”,其实也是跟随她一起踏上了觉悟之途,重新找回失落的精神家园,最终获得生命的圆满 。

 

静观这次展览的作品,观者会感觉到艺术家的另一个“我”始终在场 ,也能深深体察到她悲天悯人的情怀,这一情怀正如艺术家本人在自己书写的创作手记中所说的那样,来源于“入世问欲知何因得此身,出此门应了夙愿利有情。”这两句佛门偈语的感召,正是有了如此愿力,赋予了建婷不断创作的使命感和不竭的前行动力。

 

敲吧,门终究会开的。

——《圣经》              

2015.9.10于蓝顶艺术区

 

 

 

 

Jianting “the layer three door”

 

As people can put up a bridge between the things that are not connected at any time and anywhere, the world's people all the time and outside the door, through the door, the life of the self toward the outside world, and from the outside to self.

 

-------  [Germany] Georg Simmel

 

There are many kinds of the doors metaphors and symbols in human culture, especially in the system of Chinese culture. The door open and closed, that is a clear attitude: when the door is closed, it sets up a boundary, is to convey the strong awareness, showing closed to the outside world and rejected, also may mean that the holding of a spiritual or faith; and when the door is opened implies call and invite, sexually explicit Summoner brave beyond its limitations and a peek, of course, open door may also potentially dangerous, a little mistake will fall into the quagmire even fall into the abyss beyond redemption.

 

With the acceleration of urbanization in recent years, the rapid growth of the national economy has brought about, but in the prosperity of the surface of the crisis has gradually highlighted. Especially caused by the rapid development of the temporal and spatial superimposition, dislocation of oppression and cramped, accelerate the urban fragmentation and a sense of helplessness; and on the other hand money worship, consumerism with network developed by the media to achieve the full penetration of the whole society, tight with the desire to expand and meet the subsequent is moral numbness and indifference. The city lost spiritual home and become wandering ghost in the reinforced concrete jungle, although they also in diligently looking for the lost home, but suffer from cannot enter. As a female artist, also as a sensitive observer, the construction of ting for the times of the times has a more sober insight. In previous years, she has been a series of works in Beijing, which reflects the concern of the situation. After the construction of the Chengdu, the "door" as the theme of the series, the work of this group of "man and the other", "man and nature", "man and self" in turn, showing a clear logical structure.

 

As the smallest unit, the other is the most direct way to understand human nature and social cognition,

Is the key to the establishment of trust and confidence in human nature and society. The gate No.4 "in half mask the door of the house, you can see a pair of couples are embracing together, and incredible is two whole head wrapped in white cloth, under the seemingly intimate relationship is let people feel the chill of alienation. In "door No.1" in a man from the open to the door to the door, the man is not clear, obviously the artist here is to maintain this distance, the implicit is the world of men's vigilance and mistrust. Through this "and the other", reveals the today's society person is interest and desire dominants and loss of truth and conscience of the elephants. For humanity that the distorted and lost, artists in the "man and nature" inside the door, give us provides solutions. In the gate No.5, 9, 10, 11, 12, 13, in the works of people disappear, to show in front of us is meandering mountains, dense forests, the vast expanse of the sky and the vast sea, here, lost since the city won the cure, the origin of return to life. This door is the "moral" "Mystery of mysteries, all the wonderful door", through this door, body card supreme cosmic Dao. This door to the ultimate concern of the access is the late American theologian Tiridge said life and personal beyond its limited presence into the infinite realm. The triple door "people with self here. The artist wants to give us clarify is to accept the natural washing and purified, personal life having a spiritual and wisdom can settle their own life, appropriate to adjust various relationships. The series of gate 3 "and" the door series 16 "two paintings seems to present to us is artist attitudes to body and soul, the painting of a nude woman should is a person, the former lying on the bed in the bedroom, through the door ajar, back facing the screen," as it is "the beautiful body to appear in front of the viewer, elegant colors to create a quiet atmosphere, without the slightest bit of lust. The latter smiling stand at the door, friendly face off screen world, without vigilance and doubts, some just calmly and acceptance, this beautiful life although may encounter hurt, but she still firmly continue to to love the world.

 

Basra wrote in his "Poetics of space": "Paris has no home. Big city residents living in the folds of the box." Followed by mentioned: "no house, people become displaced, homesteads in the storm of life and the nature of the storm defend. It is both the body and the soul." Basra here refers to the "home" obviously not real housing, but refers to the Metaphysical Spiritual home. Built to lead the audience across from her set by "the layer three door", in fact, is to follow her on the path of awakening, to find the lost spiritual home, and ultimately the success of life.

 

The contemplation of this exhibition, the audience will feel another "I" the artist is always present, Can deeply feel her feelings of compassion, The feelings as the artist said in his written notes that in writing, From the “Ask what the reason of this body has come into the world, completed a door has been cherished friendship” These two Buddhist Jiyu's appeal, it is so willing to force, given the Jian Ting creation constantly sense of mission and inexhaustible forward power.

 

Knock, the door will open.

-- the Bible

 

 

Zhu Yajun (art historian)

2015.9.10 Blue Top Art Zone

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